Wednesday, 20 November 2024

M. Benjamin Thorne: The Commissar’s File

You sit at a desk, like ones you’ve seen before,
open the folder of all those who informed on you—
and eyes spill out, so many eyes. Brown ones,
blues, green, so many. The eyes of neighbours,
teachers, co-workers, cousins and uncles…friends.
You recognize them all. Even those of that odd
kid met in Komsomol. They gather on the floor
around your ankles as they fall, open wide, boring
into you. Some you expected, even greet with a nod.
Others lack the decency to look away in shame.

And then you open the other file, one you made
over years, sitting across cigarette haze,
and there is one final pair of eyes,
the only one to move, looking everywhere,
and blame gets choked down like bile—
you recognize them as your own,
and suddenly, you’re blind.


M. Benjamin Thorne is an Associate Professor of Modern European History at Wingate University. Possessed of a lifelong love of history and poetry, he is interested in exploring the synergy between the two. His poems appear or are forthcoming in Rogue Agent, Feral, Gyroscope Review, Molecule, Red Eft Review, and Thimble Lit Mag. He lives and sometimes sleeps in Charlotte, NC.

Monday, 18 November 2024

Mark Mayes: A Winter's End

When will there be
a winter's end?
said the robin
to its friend.

It is but begun,
said the hunter
with dog and gun.

When will the earth
warm the seeds?
Never, said frost
as the holly bleeds.

When will we be fed?
said the baby birds.

Not until you're dead,
were the winter's words.


Mark Mayes enjoys writing poems, stories, novels, songs, and the odd piece of non-fiction. 
He would love one day to try writing a play. He has a Youtube channel, @hopeisthething1965, and a Substack: notes from a bungalow.

Saturday, 16 November 2024

Michael Durack: Keepers

The grass doesn’t even grow where he stands on the pitch.
- Brazilian proverb.


In the schoolyard an afterthought, 
last one standing after the captains’ picks, 
the flabby or uncoordinated one,
fit only to fill a space between the jackets or sticks.

Later to metamorphose into an acrobat, gymnast, 
air surfer, an exotic yellow bird or black panther.
Hands-on custodian, lord of the penalty area.
A man of mystery, aloof, impassive, a lone eagle, 
prey to rituals and superstitions, wizard of mind games. 

Master of innovation (Yashin’s rushing off his line,
Neuer’s sweeper-keeper, El Loco Higuita’s scorpion kick.)
Shoot-out hero, fall guy (a hapless De Gea or Calamity James.) 
Ageless cap-centurion (a Shilton or Buffon, a Jennings or Zoff.) 

Poets, pontiffs and philosophers practised that eccentric art: 
Pope-to-be Wojtyla and poet Yevtushenko guarded the net;
Camus commanded the box and thought outside of it;
Nabokov, self-confessed daydreamer in a Cambridge goalmouth;
and cúlbáire Kavanagh, seduced from his goal 
by the music of a Monaghan ice-cream van.

But last one standing no longer a stigma; 
the keeper the chosen one, his gloves, his gleaming shirt 
a different colour from the others, unnumbered;
first name on the team sheet, above the rest.


Michael Durack lives in Co. Tipperary, Ireland. He is the author of a memoir in prose and poems, Saved to Memory: Lost to View (2016) and three poetry collections, Where It Began (2017),  Flip Sides (2020) and This Deluge of Words (2023) published by Revival Press.

Friday, 15 November 2024

Ellie Ness: Daddy's Shoes

It’s how he taught her to dance,
placing tiny feet on top of
his plates of meat, spinning her
slowly round the room,

using muscle memory
to help her learn
and slowly, softly, she fell into rhythm
pirouetting on her own,

trusting feet to take her where
she wanted to go and so, on her wedding day
at the father-daughter dance
they both remember him teaching her how to fly.


Ellie Ness writes poetry for fun. She has been published most recently in Gallus, Specbook 24 and The Battlefield Collective's book Tales From the Southside.

Wednesday, 13 November 2024

M. J. Arcangelini: Sunday Mass at St. Coleman's

Late 1950s

 
Young enough that it was no surprise
I would fidget in church, looking around,
bored, at the adults filling the pews, there
was one woman, older, although who
knows what older meant to a kid my age,
I remember the fox stole she always
had draped around her shoulders, the
heads of all the foxes were still attached,
with one head biting the butt end
of the next fox, I could see their teeth,
their tails hung down her back, I wanted
to touch them, to pet the foxes, but the
one time I tried my mother slapped
my hand away, frowned and shook
her head at me, “no”, she even tried
to get me to stop staring at them but
whenever her attention waned my
eyes knew just where to go, I wanted it,
I wanted the foxes to start moving so I
could play with them, I wanted to see
them running around the church
barking at each other under the pews
scaring the old ladies, especially the
one who brought them into church
with her and wouldn’t let them go,
I wondered how she got them to lay
so quiet, I hoped they would wake up
and bite her before they escaped.


M. J. Arcangelini,(b.1952, Pennsylvania) has published extensively in both print and online venues & over a dozen anthologies.  He is the author of 7 published collections, the most recent of which are Pawning My Sins, 2022 (Luchador Press) and Fierce Kisses (Rebels & Squares Press) 2024.

Monday, 11 November 2024

Wendy Webb: Bloody Pedals Leaving Solicitor’s Drunk

Fortuitous it was not,
reaching Wansfell Pike with bloody pedals.
Blisters raged blood from a stone
beyond Jenkyn’s Crag.
All Windermere, like a map, spread out.
Woodland wandering, bare rock, delightful.
That long trudge into Troutbeck,
no time to pause at The Mortal Man,
Old Rosie’s best, a shade of pink.
Hellish, climbing, kitted out;
that bloody solicitor drunk
on a late lunch/fat fee.
Stumbling to the heights, all earth in 360o:
pretty please, no BPPV here.
Pathetic idiot of a solicitor, cycling my resources
up a mountain. Munro…more likely.
Blame the drunk, peddling humour at
solicitor’s long lunch. The drunk, my pater,
releasing funds conditionally:
for his one and only.
Sobering, that, leaving the Big Smoke,
weekend cycle racing clearing head.
Would I spend real estate on mountain bike?
Idiopathic, contemplating pedalling Cumbria.
Bloody pedals leaving solicitor’s drunk’s final
instructions: pedals up Wansfell Pike, else
generous donation to Battersea Dogs’ Home.
Backpack painful every bloody step; pint
in The Mortal Man… photographic evidence
for that sober solicitor. No idiopathic benign
paroxysmal positional vertigo repeat.
No pater, just spirits relaxing.


Wendy Webb from the North Midlands, UK, prolific poet, published with Reach, Sarasvati, Quantum Leap, Crystal, Seventh Quarry, The Journal, Frogmore Papers, Acumen and online through Wildfire Words, Littoral Magazine, Lothlorien, Atlantean, Poetry Wivenhoe, Drawn to the Light (Ireland), Seagulls (Canada) and Autumn Voices, and local radio on Poetry Place.

Saturday, 9 November 2024

Mark Russell: Recent Fragments

Fearful cows. Proud buckets. 
Sequestered and barbed.
Three freckles. A constellating of anchors.
Violating space.
The long road travelled 
and the long road ahead.
Each length, perfect reflection of the other.
You are travelling as a mirror. Roving.
Violating time. 
Swallowing hours. Draped. 
A shroud of volition.
The sky is still crying. The sea is angry.
You hear it sometimes, 
underneath the wind’s wails.
It can hear you. Sometimes. 
But always it sees.
Violating mind.
What it sees sends the sun to sky, 
turns rain to tears of joy
that drizzle down, 
dousing the faces of fearful cows,
collected in proud buckets.


Infatuated with all forms of art, Mark Russell primarily engages with words and images. He's written two novellas, a few dozen poems, and is currently writing his first play. Visually, he enjoys juxtapositioning serenity with chaos, via nature and live music. He grows a beard in his spare time. www.instagram.com/nativefear

Friday, 8 November 2024

Ralph Culver: Last Call

What the mind fashions, what the mind does not,
she says, but no way I’m being sucked into that dialectic.
A freezing wind follows someone through the door
and claws its way up the inside of my pant legs,
finishing the job that her voice had begun an hour before
of dismantling my sense of ease and rightness in the evening.
The bar is half empty. This was long enough ago
that you could still smoke while sitting at your table,
and I light one as she slowly drains another shot of ouzo,
the achingly deliberate rolling of her wrist, then
the equally precise wiping of the back of the other wrist
across her mouth. In fact, this was long enough ago
that I had already “stopped drinking”—or rather,
that drinking had clubbed me into abstinence—
and I suddenly, vividly recall a night in the same bar,
a more distant time and woman sitting there
across from me, when in disgust I had watched myself  
strain to complete a sentence with a full ten seconds
plodding by between each sodden word I spoke.
She beckons to the waitress, coral smeared
across her knuckles. And now, she says, the mind
fashions that you will drive me home,
and the mind does not fashion that you will sleep with me.
If this be youth with its glory passing into shade,
I think, give thanks, its dissolution overdue.
She reaches for my cigarette and knocks
the empty shot glass over.


Ralph Culver has work recently published in Plume, The High Window (UK), Modern Literature, and Queen's Quarterly (Canada), and forthcoming soon in On the Seawall. His latest collection is A Passable Man (2021); his new book of poems, This to This, is coming out in 2024. 

Monday, 21 October 2024

Wanda Morrow Clevenger: the same week my mother-in-law passed

at the cusp
of midwest coronavirus
inside the Carlinville Walmart
was a lady
trussed in surgical mask

our eyes locked
for a few seconds
as our carts rolled
past each other
in total silence
at a perceived safe
six foot distance

the associates seemed
more polite than usual
as though they knew
the funeral was on hold


Wanda Morrow Clevenger lives in Hettick, Illinois, population 200, give or take.  Her seven published chapbooks can be found on Amazon.

Saturday, 19 October 2024

Samuel Louis Spencer: Sourdough #12

You called me. You called me and maybe
you ran out of bread, perhaps you need
another loaf left at your doorstep.
You called me and said you found more
of my belongings, said I should come and
get them. You called so I’m driving
over, loaf of bread resting in the backseat
like the child we never had.


Samuel Louis Spencer is a poet and journalist based in Tampa, Florida. His work has appeared in The Decadent Review, Scapegoat Magazine, Tokyo Poetry Journal, Inlandia, Third Wednesday, Barzakh Magazine, and others.